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Mediterranean Sundance/Rio Ancho - Al Di Meola / John McLaughlin / Paco De Lucía - Friday Night In S

6 Reply to “ Mediterranean Sundance/Rio Ancho - Al Di Meola / John McLaughlin / Paco De Lucía - Friday Night In S ”

  1. Akinohn says:
    Mediterranean Sundance/Rio Written-By – A. Di Meola* A2: Rio Ancho Paco De Lucía: John McLaughlin, Al Di Meola, Paco De Lucía - Friday Night In San Francisco ‎ (CD John McLaughlin, Al Di Meola, Paco De Lucía - Friday Night In San Francisco /5(10).
  2. Brarg says:
    Jul 05,  · San Francisco in saw the mixing of fussion-jazz power guitarrist John McLaughlin and Al DiMeola with Spain's flamenco guitar master Paco de Lucia /5().
  3. Kazrale says:
    Sep 04,  · On 5th December, , Al Di Meola, John McLaughlin, and Paco De Lucia were two months into what had so far been an extremely successful and creative tour. Even just the concept itself was intriguing—three guitarists, and acoustic to boot! With not .
  4. Gagrel says:
    The Guitar Trio is a reunion album by Al Di Meola, Paco de Lucía and John McLaughlin, released in after 13 years without playing together. This effort has three originals apiece from McLaughlin and Di Meola, two by de Lucía and a McLaughlin-Di Meola duet on "Manhã de CarnavalGenre: New Flamenco-Jazz.
  5. Mazugar says:
    Some of de Lucía's best known recordings include Río Ancho (later fused with Al Di Meola's Mediterranean Sundance), Entre dos aguas, La Barrosa, Ímpetu, Cepa Andaluza and Gloria al Niño Ricardo. His collaborations with guitarists John McLaughlin, Al Di Meola and Larry Coryell in the late s saw him gain wider popularity outside his Born: 21 December , Algeciras, Cádiz, Spain.
  6. Zutaur says:
    They issued three acclaimed albums as one of the first world fusion outfits. He continued to balance his time between electric fusion and acoustic projects; the most notable of the latter was the live Friday Night in San Francisco with guitarists Al Di Meola and Paco de Lucia. They split after a studio offering and reunited in the '90s with the.

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